"…The purely human figure of the Carpenter, carved by carpenters or craftsmen as simple as carpenters, was already rising on shrines and pedestals far away, in the crypts of Rome or the niches of Rouen. There was something symbolic, like a mysterious repetition of the Flight into Egypt, in the way in which the Mother, carrying the Divine Humanity in her arms, took refuge in the Roman world of the West; and seemed still to be fulfilling some destiny even in moving continually westward."
And when they were departed, behold, the angel of the Lord appeareth to Joseph in a dream, saying, Arise, and take the young child and his mother, and flee into Egypt, and be thou there until I bring thee word: for Herod will seek the young child to destroy him. Matthew 2:13 "…The purely human figure of the Carpenter, carved by carpenters or craftsmen as simple as carpenters, was already rising on shrines and pedestals far away, in the crypts of Rome or the niches of Rouen. There was something symbolic, like a mysterious repetition of the Flight into Egypt, in the way in which the Mother, carrying the Divine Humanity in her arms, took refuge in the Roman world of the West; and seemed still to be fulfilling some destiny even in moving continually westward." G.K. Chesterton (“The Mission of Ireland, Christendom in Dublin’) Rembrandt, The Flight into Egypt Giotto, The Flight into Egypt “...it raises the real questions of our times, which are these: can we reject the idea of a b...